The rapper sounds absolutely livid as he mounts a stealthy assault on the Prez that swells with density and rage over its five minutes until fire and brimstone is raining down on the shitwit Texan's perpetually befuddled head. Should 'Encore' prove to be a swansong, then 'Mosh' is its blaze of glory, a scalding assault on the Bush regime that hits all the harder for its arriving days too late. DX magazine wrote that "he (Eminem) turns political and blatantly lashes out at Bush on 'Mosh' (sure to cause some repercussions from politicians considering his visibility)." Pitchfork Media wrote a mixed review: "'Mosh'-sadly, not yet completely past its sell-by date-seems more like a plodding dirge here among the spry string of tracks that surround it." NME magazine wrote a favorable review: "And then there's 'Mosh'. Eminem is still a narcissist, of course - he wants us to follow him to liberation, or at least to the voting booth - but the power of 'Mosh' made you forgive his never-ending self-absorption" and called the song itself an anomaly. Protest songs made a comeback this year, but none captured doom and apocalypse the way 'Mosh' so brilliantly did. Entertainment Weekly wrote a mixed description, saying the song "was nothing less than the sound of America's favorite Caucasian rapper at his most intense and focused. Stephen Thomas Erlewine of AllMusic highlighted the song. Eminem on the Anger Management Tour promoting Encore